It was, like The Little Mermaid, a film that would retell one of the most well-known fairy tales ever written. It was, like The Little Mermaid, an adaptation that had been through development at the studio as far back as the 1930s. After the relative failure of The Rescuers Down Under, Disney Animation wasn't going to collectively lick its wounds and mope - they were already moving onto the next project. They were laser-focused on the second word of his mantra: "better". ) As the Disney Renaissance hit its first peak in the late 1980s, executive Jeffrey Katzenberg had a mantra when it came to the films that Walt Disney Animation Studios would continue to produce throughout the 1990s: "Bigger, better, faster, cheaper." The Little Mermaid had certainly achieved the first two goals of that aim, but making low-budget animated films on a tight schedule was a concern for animators. In today's column, he discusses the 1991 Best Picture Oscar nominee Beauty and the Beast. ( Revisiting the Renaissance is a bi-weekly series in which Josh Spiegel looks back at the history and making of the 13 films of the Disney Renaissance, released between 19.
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